![]() ![]() ![]() ![]() IMPORTANT THINGS TO GET OUT OF THE WAY NOW We’re definitely at about that time where we need a refresher, as there are a lot of new options out there for everyone to use. Rich Young did a write up back in 2013 about CuteDCP for Premiere Pro that you can check out here, and Don Starnes did a write up just the DCP creation process back in 2015, and you can check that out here. We’ve done a few articles here at PVC about creating DCP’s. ![]() You’ll quickly see that the majority of your work will be done in your timeline, and you need to make sure you get everything right there, so you don’t run into problems down the line. In this article, we’re going to cover important things you need to keep in mind in general about DCP’s, their creation (no matter which NLE you use), and the delivery. There is a lot of setup involved, no matter which NLE you’re using, so I thought the easiest way to go about doing this is to dedicate an article to the setup in each of the three main NLE’s, Media Composer, Premiere Pro and then FCPX, and then an article to the actual creation of the DCP itself. One question that I get asked a lot is, “How do I create my own DCP’s for delivery to a Festival, or to theatres in general?”, and to be honest, it’s not an easy question to answer. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |